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Past Events

Indian Novels Collective at The Women’s Writers Fest

Moderated by Ashwani Kumar, the panel comprised, Annie Zaidi, a prolific writer across several genres including reportage, fiction, drama and comics, Anjali Purohit, artist, writer, poet, translator and curator who has just translated Bahinabai’s Ovis into English and Anuradha Parikh, our core group member and an architect and filmmaker.

The conversation explored unique aspects of translation which one rarely gets to hear. From literature to films, how do translation and transcreation bring alive a long forgotten work or make it accessible to a new audience was discussed.

Anjali Purohit spoke of Bahinabai and sang one of her Ovis for the audience in both the original and translation while Anuradha Parikh passionately spoke of the need for translation in all aspects of art and literature. Annie Zaidi focussed on translation in drama and how she was working towards archiving her grandfather’s work in translation for the future generations.

Thank you She The People TV for inviting us to a panel on Women’s Writers Fest to talk about the Indian Novels Collective and translations.

To know more, please watch the video on https://youtu.be/Yw_sJc9YKew

Celebrated in Song: Portraits of Women in Fiction and Music @KGAF20

Last Friday evening (February 8, 2019), The David Sassoon Library Grounds witnessed a houseful celebration of literature, captivating the young and old, alike. First on stage was Ashwani Kumar, co-founder of Indian Novels Collective, addressing the gathering. He introduced the Novels to the audience and highlighted the need to experiment with genres to popularise Indian classics.

The audience was allured by the fascinating collaboration of Vidya Shah, Priyanka Setia and Indian Novels Collective. Vidya Shah has been exploring women through her music since many years now. In 2009, she directed a two-day exhibition and music concert — ‘Women on Record’, celebrating music of women in the gramophone era, in which she paid a tribute to iconic female voices (of that era) by performing their music. Looking back, it fit perfectly with the theme that Indian Novels Collective wanted to celebrate this year at the Kala Ghoda Arts Festival.

Priyanka Setia — theatre artiste and Bollywood actress, has been a part of the Indian Novels Collective family. Talking about this unique association with Vidya Shah, Priyanka Setia commented, “Vidya is so loving, so giving. It never felt like I was collaborating with her for the first time; it was very comfortable to work with her. Performing with Vidya was a beautiful experience!”

The evening commenced with a tribute to Krishna Sobti and her fierce depiction of Mitro followed by Damodar Mauzo’s ‘Karmelin’. Priyanka Setia enticed the audience with the characters’ unapologetic sexuality. On the one hand, Mitro unabashedly expresses her sexual desires while Mauzo’s Karmelin uses her sensuality in a calculative and controlled manner. The excerpts read from the Novels helped the audience capture the essence of the characters. Vidya Shah corresponded to these characters with some beautiful Ghazals from Janki Bai’s Raseeli Tori Akheeya and Begum Akhtar’s Humari Atariya Pe followed by Humko Mita Sake for Karmelin.

We then moved on to Dharamveer Bharati’s Sudha whose is a more layered and complex story, a personification of a man’s ideal woman, to which Vidya Shah harmonised with Begum Akhtar’s Patli Kamar Lambe Baal, Kamala Jharia’s Na Tum Mere Na Dil Mera and finally closed the show on a high note with Begum Akhtar’s Aye Mohabbat Tere Anjaam Pe Rona Aaya.

The readings by Priyanka Setia left the audience wanting more as she teased them by withholding the end. Vidya Shah’s mesmerising voice with a varied selection of songs blended with the women characters being read effortlessly, adding charm to the classic Indian writings and experiencing Mitro, Karmelin and Sudha — the three women from Indian literature in an entrancing way. The characters indeed, came alive and left their imprints on the minds.

Indira Chandrasekhar, the curator of the literary gathering at KGAF Literature summed up with, “Thank you, Indian Novels Collective. It’s really such an honour to have you. You always bring the most extraordinary programme to Kala Ghoda Literature. And Vidya, of course I am such a huge fan… and Priyanka, it was such a beautiful reading. To listen to you two together was just immense privilege. Thank you, Shinjini and Ashwani, for making this happen.”

The enchanting fusion of music with literature at the event yet again created a remarkable narrative, a narrative upholding the uniqueness in the portrayal of women, acknowledging the differences and bringing out the complexities in Indian literature.

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